rebekah rae robles
actor | singer
Hello!
I’m Rebekah, a Boston based latin performer originally from sunny California.
I graduated from the Boston Conservatory at Berklee with my BFA in musical theatre and have since made Boston my home base. After not performing for some years, I’ve returned to musical theatre with a passion and most recently appeared as
Franca Naccarelli in The Light in the Piazza at The Huntington Theatre directed by Loretta Grecco, with music direction by Andrea Grody.
Other notable credits include Adele/Violin 3 in A Man of No Importance at Speakeasy Stage, Milo Davenport in An American in Paris at Reagle Music Theatre, Anne Egerman in A Little Night Music at Sullivan Rep and Woman 1 in Songs for a New World at Speakeasy Stage.
What’s New?
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Evita
June 2025 - I returned to Reagle Music Theatre for their 56th season as the Mistress/Eva understudy in Evita.
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The Light in the Piazza
April 2025 - I made my Huntington debut as Franca Naccarelli in their production of The Light in the Piazza. Directed by Loretta Grecco and music direction by Andrea Grody.
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A man of no importance
January 2025 - I got to perform as Adele and play the violin for 10 songs in Speakeasy Stage’s production of A Man of No Importance. I hadn’t played in the violin in nearly 15 years and this was an incredible jump back into the world of musicianship.
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laughs in spanish
August 2024 - Kicking off Speakeasy’s 34th season as Mariana in Laughs in Spanish by Alexis Scheer.
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An american in paris
July 2024 - Returning to Reagle for their 55th season as the confident and driven Milo Davenport.
What People Are Saying
“beautiful-voiced… Robles is nothing less than splendid”
— Broadway World
“Rebekah Rae Robles does more with the part of Franca than anyone else has in my experience. It's the first time I've been moved by the character's distress in her solo”
— Critics At Large
“AN amazing belt and unshakeable self-confidence”
— The Sleepless Critic
“Her vocals are smooth when need be and strong/rough/sassy when the moment requires… she has that indefinable stage presence that makes an audience feel comfortable…”
— Fresno Bee
